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In a article about her latest dance production, Carmen Jane Plant acknowledges her fortunate upbringing. Thanks to my dad, I grew up listening to an alternative and eclectic range from a young age and that really provided the inspiration for me to get involved with all kinds of music.

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Read our monthly round-up of what's going on in the music world and enjoy a curated playlist! Photographer whose work vividly expressed the essence of creative personalities ranging from Janis Joplin to Arthur Miller.

He was among the first photographers to specialize in taking pictures of popular musicians and, more specifically, to think them worthy of being photographed.

Newer Post Older Post Home. Browse by Decades s s s s s s s s s s s. Popular Posts. A typical Edwardian interior was something new and cheerful.

Fresh and light colors composed most of the interiors in this period. It saw th The s were a party, full of exploration without explanation.

They were all about discovery. The s were colorful and innovative.

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They Carmen and Karac love it when I come back to tell them tales. Later in , Plant admitted he regretted being on tour during the s. Expressing that he felt his daughter grew up not knowing who he really was.

So much so that in he claimed she even mistook him for a burglar when he came home from a notably long tour.

In a article about her latest dance production, Carmen Jane Plant acknowledges her fortunate upbringing. Fresh and light colors composed most of the interiors in this period.

It saw th The s were a party, full of exploration without explanation. They were all about discovery. The s were colorful and innovative.

Readers are disappointed when they open the magazine to see the wholesome singer in a Playboy bunny outfit, but with no nudity. Perhaps as a Janis takes no notice.

Like a sheep being led to the dipping trough, the officer follows Janis's direction. He heads straight for the toilet kit and pulls out a bag of powder.

My heart skips a beat. Janis can scarcely contain herself. His complexion explores the scarlet end of the spectrum while he moves on quickly to something safer.

But he keeps searching. The border watchdogs can search all day and never find a thing. Janis is clean.

She is as respectable as a symphony conductor. She is proud and she is celebrating. The boys [Full Tilt Boogie musicians] amuse themselves as best they can.

Nothing fancy, just up and down, up and down, grinning as he watches Janis urge the inspector on. Janis prolongs the game until even the obtuse little customs inspector finally realizes that no one who has anything to hide would behave like this.

Joplin headlined the festival on all three nights. At the last stop in Calgary, she took to the stage with Jerry Garcia while her band was tuning up.

Film footage shows her telling the audience how great the tour was and she and Garcia presenting the organizers with a case of tequila.

She then burst into a two-hour set, starting with " Tell Mama ". Throughout this performance, Joplin engaged in several banters about her love life.

In one, she reminisced about living in a San Francisco apartment and competing with a female neighbor in flirting with men on the street.

Footage of her performance of "Tell Mama" in Calgary became an MTV video in the early s, and the audio from the same film footage was included on the Farewell Song album.

These performances of entire songs during the Festival Express concerts in Toronto and Calgary can be purchased, although other songs remain in vaults and have yet to be released.

In the "Tell Mama" video shown on MTV in the s, Joplin wore a psychedelically colored, loose-fitting costume and feathers in her hair.

This was her standard stage costume in the spring and summer of She chose the new costumes after her friend and designer, Linda Gravenites whom Joplin had praised in Vogue ' s profile of her in its May edition , cut ties with Joplin shortly after their return from Brazil, due largely to Joplin's continued use of heroin.

During the Festival Express tour, Joplin was accompanied by Rolling Stone writer David Dalton, who later wrote several articles and two books on Joplin.

She told Dalton:. I'm a victim of my own insides. There was a time when I wanted to know everything It used to make me very unhappy, all that feeling.

I just didn't know what to do with it. But now I've learned to make that feeling work for me. I'm full of emotion and I want a release, and if you're on stage and if it's really working and you've got the audience with you, it's a oneness you feel.

In her June 25, appearance, she announced that she would attend her ten-year high school class reunion. When asked if she had been popular in school, she admitted that when in high school, her schoolmates "laughed me out of class, out of town and out of the state" [67] during the year she had spent at the University of Texas at Austin, Joplin had been voted "Ugliest Man on Campus" by frat boys.

On August 7, , a tombstone—jointly paid for by Joplin and Juanita Green, who as a child had done housework for Bessie Smith —was erected at Smith's previously unmarked grave.

It was there that she first performed " Mercedes Benz ", a song partially inspired by a Michael McClure poem that she had written that day in the bar next door to the Capitol Theatre with fellow musician and friend Bob Neuwirth.

The Harvard Crimson gave the performance a positive, front-page review, despite the fact that Full Tilt Boogie had performed with makeshift amplifiers after their regular sound equipment was stolen in Boston.

Joplin attended her high school reunion on August 14, accompanied by Neuwirth, road manager John Cooke, and sister Laura, but it was reportedly an unhappy experience for her.

When asked by a reporter if she ever entertained at Thomas Jefferson High School when she was a student there, Joplin replied, "Only when I walked down the aisles.

Rothchild , best known for his lengthy relationship with The Doors. Although Joplin died before all the tracks were fully completed, there was enough usable material to compile an LP.

The posthumous Pearl became the biggest-selling album of her career [52] and featured her biggest hit single, a cover of Kris Kristofferson and Fred Foster 's " Me and Bobby McGee " Kristofferson had previously been Joplin's lover in the spring of Also included was the social commentary of "Mercedes Benz", presented in an a cappella arrangement; the track on the album features the first and only take that Joplin recorded.

A cover of Nick Gravenites 's "Buried Alive in the Blues", to which Joplin had been scheduled to add her vocals on the day she was found dead, was included as an instrumental.

Joplin checked into the Landmark Motor Hotel in Hollywood on August 24, , [73] near Sunset Sound Recorders , [16] where she began rehearsing and recording her album.

During the sessions, Joplin continued a relationship with Seth Morgan , a year-old UC Berkeley student, cocaine dealer, and future novelist who had visited her new home in Larkspur in July and August.

Morgan later told biographer Myra Friedman that, as a non-musician, he had felt excluded whenever he had visited Sunset Sound Recorders.

She told her construction crew to design a carport to be shaped like a flying saucer, according to biographer Ellis Amburn, the concrete foundation for which was poured the day before she died.

Peggy Caserta claimed in her book, Going Down With Janis , that she and Joplin had decided mutually in April to stay away from each other to avoid enabling each other's drug use.

For approximately the first two weeks of Joplin's stay at the Landmark, she did not know Caserta was in Los Angeles.

Later, while Friedman was working on her book Buried Alive , she determined that the time frame of the Joplin-Caserta encounter was one week before Jimi Hendrix's death.

Within a few days, Joplin became a regular customer of the same heroin dealer who had been supplying Caserta. Grossman and Friedman knew during Joplin's lifetime that her friend Caserta, whom Friedman met during the New York sessions for Cheap Thrills [21] and on later occasions, used heroin.

When Joplin was not at Sunset Sound Recorders, she liked to drive her Porsche over the speed limit "on the winding part of Sunset Blvd. Lennon told Dick Cavett on-camera the following year that Joplin's recorded birthday wishes arrived at his home after her death.

The last recording Joplin completed was on October 1, —"Mercedes Benz". On Saturday, October 3, Joplin visited Sunset Sound Recorders [16] to listen to the instrumental track for Nick Gravenites 's song "Buried Alive in the Blues", which the band had recorded earlier that day.

At some point on Saturday, she learned by telephone, to her dismay, that Seth Morgan had met other women at a Marin County, California , restaurant, invited them to her home, and was shooting pool with them using her pool table.

What impressed everyone that night when she arrived at the studio was the exceptional brightness of her spirits. Friedman believed the "secret" was marriage plans for Joplin and Morgan.

In a version of Friedman's book that she wrote twenty years later, she said about the hotel's claim of a phone call to City Hall, "This may have been untrue.

By the time they returned to the studio, it was jammed. Nick Gravenites was there. So was song writer Bobby Womack. Bennett Glotzer [Albert Grossman's partner in their New York-based talent management company] was around.

All in all, there were perhaps twenty to twenty-five people present. Janis did not sing that night, but merely listened to the instrumental track the band had completed that day.

It was Nick's song, "Buried Alive in the Blues. Janis was exhilarated by the prospect of doing the vocal on Sunday, a light like a sunburst in her smile and eyes.

Joplin and Ken Pearson later left the studio together and she drove him and a male fan in her Porsche [22] to the West Hollywood landmark called Barney's Beanery.

Friedman wrote, "At the bar, she drank vodka and orange juice, only two. The last was the Landmark's night shift desk clerk. He had met her several times but did not know her.

Joplin's significant relationships with men included ones with Peter de Blanc, [22] [29] [30] [31] [32] Country Joe McDonald who wrote the song "Janis" at Joplin's request , [77] David George Niehaus, [16] [28] [32] [65] Kris Kristofferson , [16] [22] and Seth Morgan from July until her death, at which time they were allegedly engaged.

She also had relationships with women. Whitaker broke off their relationship because of Joplin's hard drug use and sexual relationships with other people.

Joplin also had an on-again-off-again romantic relationship with Peggy Caserta. Caserta was one of 15 people in the audience, [21] and at the time, she ran a successful clothing boutique in the Haight Ashbury.

Approximately a month after Caserta attended the concert, Joplin visited her boutique and said she could not afford to buy a pair of jeans that was for sale.

The Woodstock movie includes 37 seconds of Joplin and Caserta walking together before they reached the tent where Joplin waited for her turn to perform.

By the time the festival took place in August , both were intravenous heroin addicts. Caserta "had seen him around" San Francisco but had not met him before.

Caserta suspected that the reason for Joplin's foul mood was that Morgan had abandoned her earlier that day after having spent less than 24 hours with her.

Caserta did not see nor communicate by phone with Joplin again, although she later claimed she had made several attempts to reach her by phone at the Landmark Motor Hotel and at Sunset Sound Recorders.

Caserta and Morgan lost touch with each other, and each decided independently to abandon Joplin on Friday night, October 2.

Biographer Myra Friedman commented in her original version of Buried Alive : [83]. Given the near-infinite potentials of infancy, it is really impossible to make generalizations about what lies behind sexual practices.

This, however, is probable: to become clearly homosexual, to make the choice that one honestly prefers relations with one's own sex, no matter the origins of such preference, requires a certain integration, a stability of psychic development, a tidiness of personality organization.

The ridicule and the humiliation that took place at that most delicate period in [Joplin's] early teens, her own inability to surmount the obstacles to regular growth, devastated her a great deal more than most people comprehended.

Janis was not heir to an ego so cohesive as to permit her an identity one way or the other. She was, as [the psychiatric social worker she saw regularly in Beaumont, Texas in and ] Mr.

That had as much to do with her original use of drugs [before she first met Giarritano] as did the critical component of guilt and its multiplicity of sources above and beyond the contribution made by her relationships with women.

Were she so simple as the lesbians wished her to be or so free as her associates imagined! Joplin sang with Full Tilt Boogie and appeared briefly onstage with Big Brother without singing, according to the next day's review in the San Diego Union.

She had a conversation offstage with her old friend Richard Hundgen, the Grateful Dead 's San Francisco-based road manager whom she had known since , in which she said:.

I hear a rumor that somebody in San Francisco is spreading stories that I'm a dyke. You go back there and find out who it is and tell them that Janis says she's gotten it on with a couple of thousand cats in her life and a few hundred chicks and see what they can do with that!

In the late afternoon of Sunday, October 4, , producer Paul Rothchild became concerned when Joplin failed to show up at Sunset Sound Recorders for a recording session in which she was scheduled to provide the vocal track for the instrumental track of the song "Buried Alive in the Blues".

Cooke and two of his friends noticed her psychedelically painted Porsche C Cabriolet in the hotel parking lot.

Upon entering her room , he found her dead on the floor beside her bed. Alcohol was present in the room. Newspapers reported that no drugs or paraphernalia were present.

It did not. When, after a while, she walked out to the lobby [from her room at the Landmark Motor Hotel], she could not have known she was dying.

There she chatted with the hotel clerk for a second and asked him to change a five-dollar bill for cigarettes, which she purchased [from the cigarette machine in the lobby].

Alcohol was also present in the blood, and her liver showed the effects of long-term heavy drinking. Additional tests for barbiturates , phenothiazine , amphetamines , Librium , Valium , Noludar , meprobamate , methadone , Soma , Quaalude and codeine were negative.

Much mystery surrounded the fact that Janis had not died immediately. Some people insisted that a heroin overdose could not have happened as it did.

The Medical Examiner 's Office of New York County [where Friedman lived] informs me that while it is more common for an OD to occur instantly after an injection, a delay until the moment of death is not so strikingly unusual.

Clarifying this further, the Consumers Union Report on Licit and Illicit Drugs states that the term "overdose" is most frequently erroneous.

The report cites information that those sudden deaths following an injection of heroin are actually the result of an adulteration of the product with various substances or of other mysterious factors: what is called a " synergistic reaction " to a combination of drugs, for example, or of other toxic factors.

Death from what is literally an overdose of heroin itself is, in fact, usually slow. Peggy Caserta, Joplin's close friend, and Seth Morgan , Joplin's fiance, both had failed to meet Joplin the Friday immediately prior to her death, October 2, and Joplin had been expecting both of them to keep her company that night.

According to Caserta, Joplin was saddened that neither of her friends visited her at the Landmark as they had promised. Joplin's death in October at age 27 stunned her fans and shocked the music world, especially when coupled with the death just 16 days earlier of another rock icon, Jimi Hendrix , also at age This would later cause some people to attribute significance to the death of musicians at the age of 27, as celebrated in the notional ' 27 Club '.

Music historian Tom Moon wrote that Joplin had "a devastatingly original voice", music columnist Jon Pareles of The New York Times wrote that Joplin as an artist was "overpowering and deeply vulnerable", and author Megan Terry said that Joplin was the female version of Elvis Presley in her ability to captivate an audience.

At the same time, Peggy Caserta's memoir, Going Down With Janis , [97] attracted a lot of attention, with its provocative title referring to her performing oral sex with Joplin while they were high on heroin, in September The very first sentence in the book goes into more detail about that particular encounter.

Caserta's language and description repelled many people at a time when few books or filmed interviews of Joplin or her loved ones were accessible to the public.

Peggy Caserta was described as "halfway between a groupie and a friend" in an interview that writer Ellis Amburn did with Joplin's bandmate Sam Andrew circa and published in According to a statement in the early s by a close friend of Caserta and Joplin's, Caserta's book angered the Los Angeles heroin dealer she described in detail, including the make and model of his car, for her book.

According to Ellis Amburn, in a "carful of dope dealers" visited a Los Angeles lesbian bar Caserta had been frequenting since Joplin was alive. He couldn't find her, so he went for her lover.

When they realized who I was, they felt that my death would also hit Peggy, and so they stabbed me. According to biographers, Caserta was one of many friends of Joplin's who did not become clean and sober until a very long time after the singer's death, while others died from overdoses.

Joplin, along with Grace Slick of Jefferson Airplane , opened opportunities in the rock music business for future female singers. Joplin's body art , with a wristlet and a small heart on her left breast, by the San Francisco tattoo artist Lyle Tuttle , was an early moment in the popular culture's acceptance of tattoos as art.

Pollard , frequented Limbo on St. Mark's Place. Joplin, well known to the boutique's employees, made a practice of putting aside vintage and other one-of-a-kind garments she favored on stage and off.

Likewise, Leonard Cohen 's song, " Chelsea Hotel 2 " , is about Joplin, [] and lyricist Robert Hunter has commented that Jerry Garcia 's "Birdsong" from his first solo album, Garcia , is about Joplin and the end of her suffering through death.

At the Montreux Jazz Festival , Nina Simone , whom Joplin admired greatly, commented on Joplin and referred to the documentary Janis that evidently was screened at the festival:.

You know I made thirty-five albums, they bootlegged seventy. Oh, everybody took a chunk of me. And yesterday I went to see Janis Joplin's film here.

And what distressed me the most, and I started to write a song about it, but I decided you weren't worthy. Because I figured that most of you are here for the festival.

Anyway the point is it pained me to see how hard she worked. Because she got hooked into a thing, and it wasn't on drugs.

She got hooked into a feeling and she played to corpses. The film The Rose is loosely based on Joplin's life. Originally planned to be titled Pearl —Joplin's nickname and the title of her last album—the film was fictionalized after her family declined to allow the producers the rights to her story.

In , on what would have been Joplin's 45th birthday, the Janis Joplin Memorial, with an original gold, multi-image sculpture of Joplin by Douglas Clark , was dedicated during a ceremony in Port Arthur, Texas.

In , the first major biography of Joplin in two decades, Love, Janis , authored by her younger sister, Laura Joplin, was published. In an interview, Laura stated that Joplin enjoyed being on the Dick Cavett Show , that Joplin while growing up in Texas had difficulties with some people at school, but not the entire school, and that Joplin was really enthusiastic after performing at Woodstock in In , she received a Grammy Lifetime Achievement Award.

Opening in the summer of and scheduled for only a few weeks of performances, the show won acclaim, packed houses, and was held over several times.

In it, Joplin puts on a concert for the audience, while telling stories of her past inspirations including Odetta , Aretha Franklin , and others.

It went on tour in On November 4, , Joplin was awarded with the 2,th star on the Hollywood Walk of Fame for her contributions to the music industry.

Her star is located at Hollywood Boulevard, in front of Musicians Institute. On August 8, , the U. On December 15, , Amy J. Joplin had a profound influence on many singers.

For example, Florence Welch of Florence and the Machine spoke of Joplin's impact, in an interview for Why Music Matters that appeared in a commercial against piracy:.

I learnt about Janis from an anthology of female blues singers. Janis was a fascinating character who bridged the gap between psychedelic blues and soul scenes.

She was so vulnerable, self-conscious and full of suffering. She tore herself apart yet on stage she was totally different.

She was so unrestrained, so free, so raw and she wasn't afraid to wail. Her connection with the audience was really important. It seems to me the suffering and intensity of her performance go hand in hand.

There was always a sense of longing, of searching for something. I think she really sums up the idea that soul is about putting your pain into something beautiful.

Stevie Nicks considers Joplin one of her idols, and has said:. You could say that being yelled at by Janis Joplin was one of the great honors of my life.

Early in my career, Lindsey Buckingham and I were in a band called Fritz. There were two gigs we played in San Francisco that changed everything for me.

One was opening up for Jimi Hendrix, who was completely magical. The other was the time that we opened up for Janis at the San Jose Fairgrounds, around It was a hot summer day, and things didn't start off well because the entire show was running late.

That meant our set was running over. We were onstage and going over pretty well, when I turned and saw a furious Janis Joplin on the side of the stage, yelling at us.

She was screaming something like, "What the fuck are you assholes doing?

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